Apr
29
2010
1

Irish Twitterati | Gadget Republic

asdThe Irish Twitterati were featured on Gadget Republic yesterday – including @eoincolfer and @clairehennessy – as Irish writers embrace the twitter:

realising that the cliched image of the Luddite scribe, writing with a quill by candlestick is not going to help boost book sales or get their name out there.

The clever folks in GR featured some other lay about (me) too:

It isn’t about what you had for breakfast. It is about communication with a lot of people, sharing information, ideas, articles and anything else you come across. For writers it is a gateway to people (especially anyone facing deadlines and can’t leave the keyboard). For booksellers it is a goldmine – have a look at how Chapters, Eason and Ravenbooks are using it. Publishers and marketing gurus are everywhere – offering advance copies, spreading the word on new titles and building excitement about upcoming authors.

Written by david. in: Web | Tags:
Aug
28
2009
0

Looking Good | CBI, DFB and Chicken House

new-improved-sign_~csh0105Those young enough to be going back to school are donning uniforms, pulling on shoes and strapping up bags and it looks like a few publishers are pulling up their socks too. Specifically, Children’s Books Ireland, David Fickling Books and Barry Cunningham’s Chicken House are all mid-makeover.

DFB is first out – with a stylish and very easily navigated site. There’s plenty of new content – including chapters 1 – 5 of Mark Haddon’s new tome Boom! And if that wasn’t incentive enough – the nice marketing people at Random House are giving away 500 copies of Philip Pullman’s Once Upon a Time in the North.

CBI launched their cb info resource – a massive addition to the site with articles from reviewers, publishers, authors, agents, teachers, librarians, funding organisations and pretty much every other facet of Irish children’s books. Have a read of Robert Dunbar’s Reviewing of Children’s Books – ye won’t be sorry!

And if all that wasn’t enough to keep ye going, Chicken House are poised to follow suit – their new site goes live on 1 September…Keep your fingers on the refresh button folks!

Written by david. in: Competition, Free Stuff, Web, linkage | Tags: , , ,
Aug
26
2009
24

Twit-twoo | Irish Writers on Twitter

Irish writers, readers, publicists, booksellers, companies and other who-be-whats-its are joining twitter – and I’ve come across truck loads more in past two weeks considering the idea. (And then the questions start…  How does it work and why would anyone want to know what I had for breakfast?)

It isn’t about what you had for breakfast. Nobody really wants to know about soggy cornflakes with no sugar (no, sugar?! euch)

It is about communication, with a lot of people, sharing information, ideas, articles and anything else they come across. Have you found a book that you couldn’t put down? Or a press-release that you can’t wait to share? Send it out in 140 characters or less (just like a text message) to people who are interested.

For writers it is a gateway to people (especially anyone facing deadlines and can’t leave the keyboard). For booksellers it is a goldmine – have a look at how Chapters, Easons and Ravenbooks are using it. Publishers and marketing gurus are everywhere – offering advance copies, spreading the word on new titles and building excitement about upcoming authors.

Then there are the gazillions of readers who debate books, suggest titles, ask questions about writers/publishers/booksellers. And if you’re not there – you can’t answer those questions or tell that terrible joke you heard at lunch last week.

I can think of at least a dozen Irish YA and children’s writers who should be online – and I’d love the chance to ask ‘em questions.

Log on, say hello and get talking.

(Have a click here for a list of 100 interesting book tweople – just to get ye started or click below for some of the Irish contingent online)

(more…)

Written by david. in: Web, linkage | Tags: , ,
Oct
23
2008
0

Arts on d’interweb

The Arts Council has announced a one day conference, New Media, New Audience?,  aimed at Arts Council funded organisations and policy makers that are interested in “the potential that new media has on the way in which they work, and in the way it can attract and broaden audiences.

The conference is free and has some really great speakers – including Charles Leadbeater, Damien Mulley, Conn Ó Muí­neacháin, Dermod Moore and plenty more who-be-whats-its of web the world, including yours truly.

Plenty of topics and workshops to get people looking at new media formats – so if you want to know your twitter from elbow; or your facebook from your bebo then you probably should tag along. There is a website to boot – and all of the talks and discussion will appear as podcasts after the curtain has closed.

Written by david. in: Blogosphere, Media, Web, linkage | Tags: ,
Jun
06
2006
4

collaborative writing, digital publishing – writing by committee?

After thrashing out the issue, and several changes to my own opinion, I'm able to answer Litlove's question – What do you think of this notion of collaborative writing?

At first glimpse the idea of collaborative writing and digital publishing are alien, unwanted advances on one of histories most important technologies – the book. The thought of a writer opening up their writing/editing process to others is absurd, pointless and possibly very vain. How can literature gain from a writer and the audience writing the novel/poem/play? It removes the enjoyment of simply reading a piece of work, and the writing may lose a lot from having so many voices.

Digital publishing is inevitable; I'm saying that with the possibility of it being another fifty years or more before it really is inevitable. The new digital paper is already available in new e-reader devices; newspapers are investigating digital publication and traditional publishers are already scrambling a resistance. E-book sales are rising, mostly in academic books, and as more and more people carry at least one mobile device (phone, pda, laptop or mp3) the cry for digital text is growing. Perhaps not in our lifetime, but inevitably, digital publishing will overthrow the physical book – for the foreseeable future however, the two will exist separately with the internet bridging the gap.

With that in mind, collaborative writing can really only exist online at present, but could act as the most crucial bridge between the two media. The change in how people interact with the web – blogging, social networks etc. – is providing a much greater confidence in reader interaction and developing the web as a serious media. Newspapers are using wikipedia (carefully) as a source of reference and many writers are surviving on income from their blogs alone. As this confidence and development increases writers are forced, by vocation if for no other reason, to move with their audiences. 

In following their audiences online, into the blogosphere, social networks etc., writers are faced with a more informed and much more demanding readership. Great literature/journalism is no longer accepted as a result of who published it – ordinary day-to-day readers want justification, explanations and insight. Much like musicians have been forced to digitize in order to maintain their audience, so now, are writers. Collaboration between writer and reader is part of this, allowing the audience a greater sense of input and realism.

Currently writers with blogs/websites are trying to build their own audiences before approaching publishers, presenting them with a large enough audience to warrant publication. This is the first step in the right direction – but it shouldn't end here. Writers should, foreboding as it sounds, ask their audiences' opinion before publishing – allow the reader an input to the editing/drafting process. Introduce those changes, or discuss them, build them up and interact with readers from inside the writing process rather than presenting a final draft. 

There are problems with this amount of audience interaction, and it may not be to the taste of everyone – there will always be an audience for books that are not written collaboratively for instance – but the questions of justification and explanation will remain. The consummation of the time involved in discussing and moderating a website/blog can be extensive, but it is fast becoming a necessary task in order to maintain an interested audience. 

The inevitability of digital publishing increases the probability of successful collaborative writing – the increased discussion between writers and readers is moving toward it already. Projects and links listed in previous posts show the increasing interest by readers to become involved in some way with a book or an author. This will not replace the book, not at present, but it will be an undeniable rival and will change current publishing methods. Books are evolving and the book industry should be encouraging change, striving for larger audiences and developing new writing. 

Historically, literature has always been at the forefront of change – why should it be any different now? 

 

Written by david. in: Arts Blogs, Blogosphere, Media, Print, Web, arts, books |
Jun
05
2006
4

Future of the Book- Book 2.0: Links

Many thanks for everyone that has joined in the conversation – a few links to other posts/articles from over the weekend on a very bright Monday morning in England.  

This morning's New York Times has an interesting article, with lots of people I had never heard of using the web for collaborative writing (Mark Z. Danielewski, Yocahi Benkler and Lisa Scottoline).

Buzzmachine continues to be a hive of activity – with posts on books, why blogging is becoming imperative and more on books.  

if:book (The Institute for the Future of the Book Blog) has more on Gamer Theory, the reader collaborative book, as well as addressing moderation issues… 

I have linked to it before, but here it is again – infotainment rules has a few posts that compliment Buzzmachine. Books, books and well…more books.

Library Journal, The Guardian and Ricahrd Charkin (Macmillan CEO) all carry articles on digital printing.

Written by david. in: Arts Blogs, Blogosphere, Fiction, Media, Print, Web, arts, books |
Jun
01
2006
3

readers: writers with blogs

The digital/online argument in the previous post saw little interaction by readers/bloggers who were not involved in writing. As a result, the post could only go a certain distance in addressing digital publishing issues. The argument is focusing now on whether or not readers would utilise e-reader devices (Sony and Philips), writers with blogs or online publications; or is it an unwelcome change?

"…I’ve read several books recently on a topic I’ve never read on before because of a personal experience that entered my life. A couple of the books really helped me to understand a perspective that was completely alien to me. I then took the opportunity to write those couple of authors and explain to them how their words had affected me. In both cases the authors wrote back and it was a really nice interchange.

The ability, through email, to so easily correspond with an author I found quite remarkable. In its way it added to the reading experience." Beatrice, via Buzzmachine

Eoin Purcell, via email this time, discusses the arguments involved and breaks them into two more manageable sides.

"…it seems to be generating the two default positions.

A) Its all going to pot and the standard is terrible. (Begging the question why they bother to respond at all?)

B) Its great and the opportunities are endless. (True to a degree but as in traditional publishing not everyone is a winner and the gap between winners and losers can be significant)."

Litlove, along with most of the publishing world, argue the case for recreational books to remain the same – or for changes to be as close as possible.

'…I think the internet makes a great resource for on-line books that have specialist agendas…
…other more pleasurable forms of publicataion are involved – fiction, cookery books, biography, poetry, for me the book is very much part of the experience and I would be very sorry to be without it.'

The developing e-readers (Sony and Philips – using technology from Eink and Plastic Logic) emulate the printed page and are ledgible at all angles and light that print is. The devices use little energy for only visual text, while also offering music, web browsing and soon, movies. These e-readers/PDA/Ultra Mobile PC's/Smartphone devices may not resemble the book physically, but the design of the content is dependent on the publisher and could be developed to create a hybrid of interactive/social website and book deisgn.

'…It really would depend on what it looked like in the end. I like to write on my books in the margins (terrible habit, I know) and I don’t suppose that would give the same sort of pleasure. But I could probably adapt. …'

The Philips/Irex Iliad e-reader enables the reader to write on the screen and save the notes as bookmarks/text files. The next step in this evolution would be for those notes to be published on a blog/forum or to be sent direct to the author. Mistakes could be fixed after printing. Additions be made, or changes to a plot. Readers could help revise books, sentences, paragraphs and chapters could all be changed as a result of direct conversation with an author and audience. (Raising grey issues about authorship, perhaps.) Great conversations could evolve as readers/critics read a novel.

Much of this will depend on the success of non-fiction and academia accepting the technology first, and possibly only after raising a new generation of digital readers, will fiction and other genre be open to the large scale change that digital printing allows. Is it simply a waiting game – for this generation die out and the next to be raised on the new technology?

The questions are still the same – Do audiences want to move print online, or to use the internet to compliment what they read in print? Would an audience want be involved more in the writing process of their favourite author, being able to comment and interact with them as the novel/poem/script was written? Would other writers/students like to be able to have that insight to others work?

Any and all comments are welcome and I will add links to list in the writers with blogs post.

Written by david. in: Blogosphere, Irish Blogs, Media, Print, Web, arts, books |
May
29
2006
27

writers with blogs

In relation to the previous post, and as a result of Jeff Jarvis' discussion, a quick look across the Irish blogosphere shows up quite a few Irish writers using blogs to write about both work, life and everything else. Have blogs and email replaced the traditional literary letters? (NYT seems to think so) How much are writers willing to collaborate with audiences online?

Any input/ideas and opinions from writers, bloggers and readers are welcome. (I am linking to a few writers on the Blogosphere here but there are many more I have missed)

White House Poets   Shitty First Draft
Desmond Swords    Robert Bruce
Alice Lyons              Paul Sweeney
Sean Lysaght          Barbara Smith
Peter Sirr                Pat Boran
Micheal Begnal         Lorraine McArdle
That Girl                 John Scalzi
Onyeka George       Jane Holland
Bookish                 Selection of Poetry
Kevin Doran           C.Dale Young
Seth Ambramson
    Dermot
Lane Smith             Tuppenceworth.ie
Seth Godin             Eoin Purcell

The conversation surrounding this topic has been interesting, and conflicting in places. Barbara Smith summarised one aspect of the argument as 'boiling down to the difference between hard copy and soft copy'. The conflict between traditional publishing and the web is only one, and possibly the first, step in successful online publishing. There are a number of other questions arising from using the internet, such as the changing relationship between an author and audience and the changes that writing online has on writing methods.

All of the writers/bloggers/readers that have contributed so far have been fairly conservative about moving away from print entirely. American Poet, Robert Bruce hopes that his blog will bring enough of a readership to help him move into print when he approaches a publisher.

"…if, in 2 or 3 years I approach a publisher with my regular readership of around 100,000 folks a month (or more), said publisher will most likely be more inclined to take a glance at my stuff. You see, I’ve done all the marketing, footwork, and building for them.

…a blog does not replace real publishing. What it does is intensify the publishing world and shakes it out of a deep and selfish slumber."

The validity of self-publishing on the Internet is also brought to contention, as both Lorraine McArdle and Micheal Begnal dispute how successful self-publishing can be. The absence of an editor, and with no restriction on content, allows anyone/anything to be published and does not allow for any objective view to the content before it is published. Begnal adds,

"…if you get yourself in a literary magazine, or if you’re very lucky, a real book, that means that at least one person besides you thinks your work is worth something, and more often than not, that person knows their stuff (if they’ve found themselves editing a “respected” journal)."

Going further, Begnal also questions the validity of the medium and questions whether or not an audience takes a blog/website as seriously as a book? As much as writers' are unwilling to move away from print and use the Internet only to compliment their work, how far is the reader willing to move?

Eoin Purcell (via his blog) adds his voice and has experienced the change in publishing and a new departure in writer/publisher marketing relationships. 

"…A writer of a soon to be released Dublin Archaeology book approached us with an amazing idea, a wonderful website which acts a showcase and bundles of passion. What was more his website has over 100,000 unique visitors a month. Most publishers would have ignored the topic as being slightly off track, but as we have some experience with it and we liked the additional revenues of worldwide web sales, we will publish his book in October as the first of several."

Any replies will be posted up here – let me know if there is anyone I miss out on.

May
28
2006
4

future of the book – book 2.0?

The Institute for the Future of the Book has been involved on some interesting projects lately, not least of all the impending arrival of Sophie, a new online authoring tool – Book 2.0? The most recent e-book project that the institute has been involved in, GAM3R TH3ORY, has been a success, the commentary and active conversation that has helped develop the books content has rendered it a definite triumph. The layout of the site however, although innovative and allowing for a great deal of user navigation freedom, it is not the easiest medium for reading larger amounts of text.

The new wave of social input, conversation and collaboration have led to a large number of projects, Diane Duane, Neil Gaiman and Robert Bruce come to mind, it has allowed for idea sharing on a much greater scale, as well as giving the writer a greater access to an audience.

 

Collaborative authoring and the future of print has occupied a lot of space online and the Institute for the Future of the Book is tagging the new Sophie software as the next progressive step in web-publishing, this however, remains to be seen. The Sophie software will allow for a much greater reader input to an authors work, removing the writer from the previous seclusion of writing.

Alternative screen publishing – before the availability of Sophie – is limited and has not seen much uptake. Emulating the printed page on screen (magwerk and ipagez) are well designed but very stagnant methods of emulating print. The relatively still ‘printing’ is a hybrid of .pdf and flash that can incorporate some active components that allow for interactivity.

Downloadable .pdf files are also available but are digitally printed pages that do not really allow for much interaction (forms, hyperlinks and animations). The blog format is also a method of screen printing, but not really aesthetically friendly for such large amounts of text. It does allow for a large amount of interaction and reader input – but how much input into the writing process is wanted, a personal question really – how much criticism/input can you take? Writing collaboratively as a writer/reader partnership is interesting but how much influence can an audience have over a writer before they become writers themselves?

more on Sophie and the future of the book here, here and here.

John Updike is not a believer in the digital era. (Via NYT, free-sub req.)

Written by david. in: Blogosphere, Media, Print, Social, Web, arts |
Apr
30
2006
0

if Stowe can do it, why can’t I?

Stowe Boyd's t-shirt experiment has ended, with great results. Boyd has sold his torso to the highest bidder on ebay for a shocking $15 per day! He has made a total of $3600 for just wearing a corporate t-shirt. If Stowe can make this much for simply offering to wear a t-shirt on his blog then there is still hope that I will get a job interview or two from my own.

Anything is possible online, I think that it has been proven by now!

Little, Brown and Co., the publisher of How Opal Mehta Got Kissed, Got Wild, and Got a Life, has removed the book from shops. (Full story via The Crimson)

Written by david. in: Advertising, Blogosphere, Fiction, Irish Blogs, Media, Social, Web, arts |
Apr
27
2006
17

anything is possible, apparently

Following on from recent successes, two short-term job offers, Tom Rafferty's job experiment and the evolving discussion around the web after the boston.com article I found Scoble's link to Stefan Constantienescu very interesting. Steve wants a new Mac, and has so far raised $1000 towards his goal. Steve has come under a lot of fire as a result of his virtual 'begging' – and has defended himself by linking to other projects before his: here. All of those mentioned in the post have been successful.

I'm beginning to believe that anything is possible on the web… and as a result I am going to try a few experiments of my own over the next few weeks. I am about to graduate, hopefully, from the University of Wolverhampton with a BA in Journalism and Editorial Design and with several years professional experience as a journalist, designer and now, as a result of this blog, in marketing.

I'm moving back to Dublin in the beginning of June and I hope to start out on a large creative project after I get settled, find a job and design a website for the new project. I think I have sorted somewhere to live, so next on my agenda is a job. So here is my unashamed grovelling: Can anyone help me with this?

All of my details are available on the blog, here and here as well as on the main site. More detailed information is available by request, along with professional and academic references. If a kid can get a psp and free games by just drawing pictures of one, then anything is possible.

Mar
17
2006
8

therapeutic blogging

In the interest of conversation I want to raise a question about blogging. Especially after I came across a few blogs that are using their respective sites as a form of therapy. Are these the 21st century’s version of keeping a diary, with the single largest difference that anyone can read what you write? I think site’s such as these give an insight into the people and may help them, but how many of these types of blogs are there? (And who reads all of them?)

All of those that I have read seem to have a specific audience in mind – as in here and here. Are these blogs relevant to anyone online? I enjoyed reading all of those that I read in preparation of this post, but am just a little sceptical.

first the blog awards, now live blogging St. Patricks Day: Twenty Major, what is next?

Written by david. in: Blogosphere, Media, Web |
Mar
12
2006
3

in lieu of better confidence, complain!

In the space of three weeks I have changed my very stagnant site into a photoblog, and have begun writing this blog alongside it. I was, and to a degree I still am, terrified of writing posts in blog form – the onus is on me to create posts in a community where there are already established blogs with much better content. Print journalism is much easier to contend with – especially in dealing with someone face to face, the majority of interaction with this blog so far has been the wordpress stats page.

I am coming to the end of my undergraduate in Journalism and have faced very little writing for web, and nothing about blogs, citizen journalism/commentary or web 2.0. Anything that has been published online was originally written for print and re-used by the publisher. There has been a large oversight in the course I attended on web-specific content and writing for web. (Not to dissuade anyone from taking the course, it has been a very interesting and excellent experience with very dedicated and genuine teaching staff.) The course and staff, one-part academics, the other practicing journalists, can only reflect the industry – where a large majority of media organisations have yet to establish a web specific staff/editor.

I am not arguing that all media organisations should suddenly start hiring journalists and editors for online content, but that for a soon-to-be graduate of journalism I have had very little experience with online writing. If the industry is changing so dramatically, why are students only being taught traditional methods?

picture perfect: photoblogs.org

Written by david. in: Blogosphere, Media, Print, Web |
Mar
09
2006
2

not what-if, but when?

I often look back on my academic career, as a student, and examine the things I wish had gone differently. One of the largest regrets is not having Vincent Maher as a lecturer. In a post today, he has detailed what he sees as the problems suffered by both print and online journalism.

One of Maher’s arguments surrounds the number of full-time, professional, journalists working solely for online content – there is simply not that many. Many of the articles available online are reproductions, or summaries, of what is printed or broadcast elsewhere. Although most media companies now have a dedicated staff to update the respective website, the amount of money spent on new content exclusive to the web is minimal.

The guardian unlimited site is one of the most progressive websites, and even there the vast majority of content comes from the print edition – how much of the online user/staff generated content is moved towards the traditional copy? Using The Guardian, as an example however is unfair – the company is certainly considered one of the more progressive parties from the traditional media. (They have Jeff Jarvis on their side, who could ask for more? Jarvis has become the unofficial ’shop steward’ for bloggers within the media)

Over-saturation in the current online news market is another factor – too much emphasis on fast updates rather than quality and accuracy of the bulletin. There is so much competition to be the first to break the story that the writing of each story suffers. Maher points to the number of news sites that regurgitate the same copy while trying to do so faster than the competition.

The future of journalism is digital. There is no way of stopping the transition, but the traditional media has the opportunity to use everything it has learned during its existence to avoid repeating some of the pitfalls from the past. Alan Rusbridger, editor of The Guardian, announced a little while ago that the new presses the paper had purchased would be the last printing machines that the organisation would probably ever purchase. This says a lot of where he sees the market moving to – and has invested much of his time to future developments.

It is not a question of whether or not the online and digital media will surpass other media outlets in numbers; more simply it is when will it happen? The future in Electronic Page Display, EPD, might be the preferred transition method for the print media, but now is the time to begin investing in online content and product development. Papers and companies that develop strong online readerships now will only benefit from having such a position over their competitors joining the market later.

technological heaven: Origami Devices

Written by david. in: Blogosphere, Media, Print, Web |

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