David Maybury | Blog

Neil Gaiman and Siobhán Parkinson talk audio books – separately mind – I don’t know if the world is ready for a Gaiman/Parkinson collaboration…

Siobhán defines an audiobook as:

Right, let’s get one thing straight to start with. Audiobooks are books. They may tend to get grouped, in the adult mind, with other technological enemies of reading, such as DVDs and computer games, but audiobooks are on the side of the angels. An audiobook is a book, if in an alternative form, unlike, say, a film that is only based on a book.

While Gaiman reckons that it is apart from a regular book, something in its own right:

An audiobook is its own thing, a unique medium that goes in through the ear, sometimes leaving you sitting in the driveway to find out how the story is going to end.

Parkinson comments on the scarcity of audiobooks – while Gaiman celebrates the increasing number of writers’ who have caught the ‘tapeworm’ bug… (euw)

There are some drawbacks to having to rely on audiobooks for your literary intake, and the greatest of these is undoubtedly restricted choice. – Parkinson

In the past six years, I’ve recorded six audiobooks, and although it can be exhausting, I’ve loved the process and have been delighted with the result. Author David Sedaris is someone else who records his own audiobooks… - Gaiman

And what of the future of audiobooks? iTunes is seeing a huge jump in audiobook sales (blame the iPhone/iPod) while CD audio sales slump…

I absolutely think the audiobooks are getting better: the level of sophistication of the narrative formats; the ways they are interpreted; the variance in kinds of formats; the decisions within the format. It’s something that adds a whole layer of experience. – Don Katz, president of audible.com (via Gaiman)

And the last word? We’ll go out the same as we started… over to Siobhán Parkinson:

It is just as valid an aesthetic and imaginative engagement to listen to a book as it is to read it, and it makes the same kind of imaginative demands on the listener as reading does.

So – do you listen to books?

Only managing to write about Monday’s event with Kate Thompson (KT) and Keith Gray (KG) now. As promised the talk was lively and interesting – graciously led by the nicest man on earth, Robert Dunbar (I’m paraphrasing Roberts questions here. He delivered them much more eloquently on Monday than I can reproduce).

Both Keith and Kate’s books are tagged with ‘Not Suitable for Younger Readers‘ on the back cover. Do you have a say on whether or not that appears on the cover?

KG: Unfortunately I don’t. On my first book Warehouse was one of the first books that carried the label and the publisher hoped that it would make the book look more dangerous and appealing.

KT: ‘Not suitable’ isn’t quite the same as age branding. I feel that the content in both books [Ostrich Boys and Creature of the Night] need a certain understanding.

‘Are there any taboos left in teen writing?’

KT: There shouldn’t be. That may not be the case, but there shouldn’t be. It is really more about how it is dealt with.

The talk also gave some insight into how each writer works. For instance, Kate doesn’t think about her readership as she is writing – admitting that she writes mostly for herself – while Keith is mindful of his audience as he writes.

Another difference between the two: Ostrich Boys took Keith 3 years to complete whereas Kate often drafts her books in one long all night writing spree.

That Very Hungry Caterpillar was there too and has some ideas from the night.

With the best name in music The Ravonettes, a duo of Danish early-rock revivalists, have released their third album, Lust, Lust, Lust. Listening to all three in succession may not be the best way to hear any band but it does The Ravonette’s no harm.

There is a darker substance to the new album that was lacking in the first two. Focusing on the sex of sex, drugs and rock and roll, along with the trademark tracks played fast and loud. The first few songs are more lucid than the rest of the album but there is something in each one to catch you all the way to the end. A worthy alternative to REM’s Accelerate (on the playlist for next week).

Songs of the album – Aly Walk with Me, Dead Sound.

I spent today on Merrion Square in Dublin being spun left and right, upside down and right side up again. First they do it slowly. Then fast. Then really really fast. Until suddenly you’re remembering, 78 feet above the ground, that you haven’t posted on your website since Thursday.

No Music Monday 101 this week, I’m still dizzy.

Sinéad has found something interesting in New Zealand group The Ruby Suns, go have a listen. (Sorry for stealing Sinéad!!)

Everything is running a bit slow after the blog awards. Here’s todays 101 – just a little later than usual.

I’ve had the Delorento’s living in my ear all this week – discovering them nearly three years since they were the ‘next-big-thing in the making’ (according to Mr Sheridan). There is something very calmative in the songs on their album in love with detail. The confident vocals supported by the lyrics, repetitive without becoming irritating, are what stand out for me. The percussion and bass create a great, and subtle enough, atmosphere for each song that makes listening to the whole thing a real pleasure.

The band sound familiar, even on first hearing, which really can’t be a bad thing for a first album. Overall the Delorento’s have mightily impressed me – so much so that I have just booked myself two tickets to see them in the Olympia in April.

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For those that don’t know (I didn’t until yesterday) Adrian Crowley has become a resident of Whelans. Well, he is every Wednesday throughout March at least. Wednesday night will see him alongside Mumblin’ Deaf Ro and Boa Morte. Aoife has an interview with Ro (as the Mammy calls him).

Thanks to everyone for their comments and suggestions – Goon Moon and Guggenheim Grotto are on the playlist in the next few weeks.

Right-so, all this week I’ve been listening to Joanna Newsom. (Newsom was a complete discovery for me. I picked up two of her albums last week and she has been plucking away in my ears ever since.)

At first her voice is a bit startling – especially mixed with the lightening speed and amazing sound that comes from her harp. But after a week of jumping between her albums (Milk Eyed Mender and Ys) I have come under her spell completely. The story like songs are vividly written and have a completely unexpected use of language. Brilliant!

Of the two – Ys is fast becoming my favourite. Anyway, no point harping on about her here - go and have a listen.